Strangely, though Palindromes is intense, it came as a relief to me after the memorial service for Julian Boyd that afternoon and the excruciating conversation I'd begun to have with Jillian at Jupiter prior to the film. I think I liked the film better than Jillian did and less than Kim did. Even though I know that director Todd Solondz is out to push everyone's buttons, I had a very hard time with the way the two African-American actresses were used.
I imagine that Solondz was trying to make a point about racism's legacy in American filmmaking but the stereotypes he had to perpetuate to make that point were so hard for me to take that I wish he'd taken a more subtle approach. Indeed, memories of Crispin Glover's horrifyingly visceral What Is It? kept flashing through my mind as I watched Palindromes. On the other hand, I also thought of Gloria Naylor's The Women of Brewster Place, which makes a similar point about girls desire to have babies, so perhaps I'm being too harsh.
One thing that troubled me about Solondz's film Happiness and even his debut Welcome To the Dollhouse was the distance he maintains from his characters. I recognize the ideological merit to implementing some version of Bertolt Brecht's "alienation effect," but felt that Solondz too often slipped from making the audience stand apart from his characters to inviting them to make fun of them. Oddly, though I expected to have a similar response to Palindromes, my concern with the film's tone was muted as I watched it and has faded to insignificance since.
Regardless of my reservations, though, I think it's a film worth seeing. Even the parts that Jillian and I found boring were boring in an interesting way. Had we been less tired and preoccupied, they might have engaged us more. I'd love to hear what you have to say about it, so blog away upon seeing it.