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"Cause It's a 1-9-8-7 on a. . ." - De File
Does Collecting Make You Feel Dirty?
cbertsch
cbertsch
"Cause It's a 1-9-8-7 on a. . ."
For a change of pace, I decided to put on a record I haven't heard at all in over a decade and one which I haven't heard in its entirety in over fifteen years. The music-label sampler was a new concept to me when I purchased Sire's Just Say Yes compilation back in my freshman year of college and I was taken in.

I remember buying it because my newfound fave Throwing Muses was on it, because there were tracks from Depeche Mode, The Smiths, and Echo & The Bunnymen, and because I felt I should become acquainted, belatedly, with The Replacements. My favorite track, though, turned out to be "Ya Ho" by James, an artist who laid low for several more years before becoming a modern-rock staple in the mid-1990s. It's amazing how differently the songs on the record have aged. Today the tracks from The Smiths and The Ramones sound as timeless to me as ever; Echo & The Bunnymen -- a late track, to be fair -- sounds too rooted in the sonic affectations of the 1980s; and Erasure falls somewhere in between. But I still like the songs from James and Throwing Muses best. "Young Manhood" from The Wild Swans" impressed me as never before. The Casual Gods' "Cherokee Chief" annoyed me as it always did. And Depeche Mode's nearly-ten-minute-long remix of "Never Let Me Down Again," which I was prepared to consign to the excessively 80s category, actually did a good job of rocking my world.

I'd never thought about the relationship between mix tapes and samplers much before, but now it seems significant. Last night and this morning, while I was driving around in Old Red -- finally back in action, thanks to my exertions of yesterday afternoon -- making sure the battery stays charged, I listened to a mix tape made for me by my best friend during the first part of my year as an exchange student, before I moved to Southern Germany -- Hans Eberhard Mohrl, are you out there? -- and was struck by the inclusion of three Housemartins tracks, all three of them at least somewhat Christian in orientation. Oh, and We've Got A Fuzzbox and We're Gonna Use It. Boy, do they bring back specific memories. There was plenty of good music in the mid-1980s, actually, even if it required a lot more excavation to find than is the case in this era of Pitchfork taste preferences. Here's hoping that the mid-2000s turn out to have the same political developments as the mid-1980s. We could use a little erosion in the Republican Party's principles, not to mention a repeat of Robert Bork's fate.

Mode: cloud-brambled
Muse: Hideaway (remix) - Erasure - Just Say Yes: Sire's Winter CD Music Sampler

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Comments
hollsterhambone From: hollsterhambone Date: August 12th, 2005 07:47 pm (UTC) (LINK TO SPECIFIC ENTRY)
Tee hee. I had Just Say Yo but I don't know what happened to it.
tpratt From: tpratt Date: August 13th, 2005 01:37 am (UTC) (LINK TO SPECIFIC ENTRY)

I think Chris had this one

is "Pimpin' Ain't Easy (But Somebody Gotta Do It)" on it? That was a real jam way back when. Really fit in with the other stuff on that CD, too, as I recall.
cbertsch From: cbertsch Date: August 13th, 2005 02:34 am (UTC) (LINK TO SPECIFIC ENTRY)

Re: I think Chris had this one

You've got that right. Ice-T does sound pretty 80s, but there's grit in the mix. It's a pretty good sampler, all in all. I prefer some of the early Sub-Pop ones and even a 4-AD one, but this one ranks right below them.

The Bob Mould album has grown on me a bit. But I'm finding that Sugar songs that once non-plussed me sound really good to me right now. I've always been a fan of "Poison Years"-type tunes. "Explode and Make Up" fits into that category, at least in terms of how Bob emotes.
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